Shaolin Wooden Man Alley Gauntlet

Generate a 15-second, horizontal 16:9, live-action realistic kung fu movie style one-shot video of 'Shaolin Wooden Man Alley'. The scene is a straight, narrow Wooden Man Alley, with the entrance and exit on the same straight line. The blue-grey stone walls on both sides are filled with wooden pillars, cross-beams, wooden arms, gears, and slide rail mechanisms; the spatial structure remains stable throughout, without bending, scene changes, or deformation. There is only one young Shaolin disciple in the entire film. After the character enters, the mechanisms of the entire alley immediately activate: wooden pillars continuously extend and retract at high speed, cross-beams continuously sweep horizontally, and overhead beams constantly crash down; the mechanisms actively attack rather than waiting for the character to touch them. The character pushes forward through the gauntlet: a wooden pillar from the left suddenly thrusts toward his chest, and he sidesteps to avoid it; a cross-beam from the right sweeps toward his head, and he quickly bends down to slide under; low-level wooden stakes sweep at his legs, and he jumps over them; wooden pillars from left and right launch a continuous pincer attack, and he shrugs his shoulders and turns to pass through the gap; a thick wooden stake suddenly strikes from the front, and unable to dodge in time, he can only cross his arms to block, being pushed back by the force with a small amount of blood seeping from the corner of his mouth; he quickly stabilizes his body and turns to avoid a side wooden pillar; an overhead beam crashes down, and he rolls forward to avoid it, then gets up and continues to sprint; finally, through a series of continuous bending, side-flashing, jumping, and blocking, he passes through the densest round of mechanisms and quickly rushes out of the exit stone gate. The entire segment must be a one-shot, with the camera continuously following from the character's diagonal rear. There must be clear interaction between the mechanism attacks and the character's resolutions; the wooden impacts must have a sense of weight, speed, and realistic force feedback. No cuts, no multiple people, no clones, no static mechanisms, no character simply pushing wooden blocks forward, no spatial deformation, no fantasy special effects. Use gradually accelerating Oriental drum beats for BGM, paired with gear sounds, wooden pillars whistling through the air, impact sounds, footsteps, and the character's breathing to push the pressure of the gauntlet to the end.