Museum-Grade Oriental Exhibition Poster Layout

【Exhibition Theme】：[Exhibition Theme] 【Chinese Main Title】：[Chinese Main Title] 【English Title】：[English Title] 【Subtitle】：[Subtitle] 【Artistic Medium】：[Artistic Medium] 【Main Visual Content】：[Main Visual Content] 【Theme Short Sentence】：[Theme Short Sentence] 【Time】：[Time] 【Location】：[Location] 【Main Color Tone】：[Main Color Tone] 【Aspect Ratio】：9:16 Design a high-end Oriental museum exhibition poster, combining ancient artistic mediums with modern editorial layout. Use warm off-white, yellowed old paper, or Xuan paper texture as the background, preserving natural paper fibers, slight grain, scanned archive feel, and authentic printing wear. The overall feel should be restrained, quiet, and possess historical depth, resembling the main visual of a mature museum or art institution exhibition. Add an oversized light-colored English serif title at the top, with some text allowed to extend beyond the frame edges as a background-level visual structure; use a large Chinese main title on the left, which can be arranged vertically or longitudinally, paired with a smaller exhibition subtitle. Arrange the time, location, and a theme short sentence at the bottom, adding a small cinnabar seal. Set a large [Artistic Medium] as the main visual on the other side of the screen, occupying about 40%–55% of the frame. Do not simply show it in full; instead, reconstruct it through partial cropping, fragments, damaged edges, vessel windows, scrolls, peeling murals, glaze cracks, aged silk, etc. Present the [Main Visual Content] inside the [Artistic Medium], preserving authentic traces of age, material textures, faded pigments, and historical usage, making the subject look like a real cultural relic entering a museum after preservation, restoration, or archaeology. Adopt an asymmetrical editorial composition overall, maintaining a clear visual hierarchy: Oversized English $\rightarrow$ Cultural Relic / Ancient Painting Subject $\rightarrow$ Chinese Title $\rightarrow$ Exhibition Information. Colors centered on [Main Color Tone], overall low saturation, with small amounts of ink black, muddy gold, ochre, and cinnabar red used for structure and accents. The final effect should look like a museum exhibition poster, a cultural publication, and an Oriental art institution's visual system, rather than an ordinary 'Guofeng' (national style) poster.